Rebekah von Rathonyi
A native of Rochester, New York, Ms. von Rathonyi, her husband Joshua, and their children, have called Peoria home for over eighteen years. She began her dance training at the age of 8 with the Botsford/Orcutt School of Dance, the sister school to the American Ballet Theater, under the direction of Mikhail Baryshnikov. She studied under Luba Guleava and Maria Moglivesky, both graduates of the Kirov Ballet and Bolshoi Ballet. After her initial training, she studied ballet at the Draper Center for Dance Education, school to the Rochester City Ballet, under Timothy Draper and Sally Steppnes. As a young dancer, she received full scholarships to National Ballet School in Toronto Canada, Pittsburgh Ballet School, and Boston Ballet School. At fourteen years of age, Ms. von Rathonyi joined Compania Nacional de Danzá in Mexico City under the direction of Fernando Alonzo, husband to renowned Cuban ballerina, Alicia Alonzo. In 1994, she was accepted into the year-round apprentice/trainee program at The Rock School of the Pennsylvania Ballet. She enjoyed her time with the company, performing in many of Pennsylvania Ballet's productions, including several of George Balanchine's ballets. Upon returning to New York, Ms. von Rathonyi joined Rochester City Ballet as a principal dancer performing numerous principal roles in Nutcracker, Cinderella, Don Quixote, Firebird, and Gaite Parisian. At this time, Artistic Director Timothy Draper suggested she start teaching ballet, thus began her extensive teaching career.
Ms. von Rathonyi served as Acting Artistic Director to the Flower City Ballet for two years. During this time, she raised student enrollment, began an inner city scholarship program for underprivileged children and helped produce a full length Nutcracker and Spring production. She was invited to join the Rochester City School of the Arts public high school as an Artistic Consultant. While teaching dance to grades 9-12, she formulated a curriculum which included classical ballet technique, pointe, dance history, and music theory.
Ms. von Rathonyi served as the Academy Director to the Peoria Ballet for almost ten years, she also served as Interim Artistic Director for two years. She performed principal roles in Nutcracker, Firebird, Giselle, Dracula, A Midsummer Night's Dream, Cinderella, Romeo & Juliet, and the Principal female in Balanchine’s Valse Fantasie. Ms. von Rathonyi raised the caliber of the Academy by instituting a pre-professional training program for the aspiring dancer and instituted a full class syllabus and curriculum for all levels of ballet. In 2010, she directed Peoria Ballet’s collaboration performance of “Youthful Fusion” with the Central Illinois Youth Symphony. Her students competed in the Youth America Grand Prix International ballet competition, in which many of them placed in the top 12.
Ms. von Rathonyi attended the prestigous teacher training program at the Royal Winnipeg Ballet in Canada, where she focused on studying the Vagonova and Checchetti syllabus. She is an alumna of The Rock School for Dance Education and feels fortunate to have served as their Artistic Coordinator and a Faculty member.
Rebekah holds a special place in her heart for the Peoria community. She has enjoyed participating in local events including CASA's annual "Dancing with the stars", Luthy Botanical Garden's "I Love Luthy", IGNITE Peoria, Relay for Life, Frolic with the Fairies, and choreographed Cornstock Theater's 2011 production of "Cats". She is honored to be a 2006 recipient of Peoria's 40 Leaders Under 40 award.
Instructor in Beginning Ballet-Advanced Ballet, Pointe, Modern
Kaylie found a new passion in classical ballet after training to be a gymnast. She began studying at Kansas Dance Academy, while there she received a grant from the Kansas Cultural Trust. She graduated from The School of Classical and Contemporary Dance at Texas Christian University. Along with the talented TCU faculty, Ms. Bullock crossed paths with many accomplished dance professionals. These include Susan Jaffe, Ben Stevenson, and Clifford Williams. She credits TCU for expanding her ballet vocabulary with contemporary movement and the encouragement to teach in conjunction with performing.
Upon graduation Ms. Bullock danced for Ad Deum Dance Company, where she worked with Alvin Aliey's Rehearsal Director Matthew Rushing and Martha Graham Principal Steve Rooks. She also performed several solo roles choreographed by Director Randall Flinn. During this time she had the opportunity to guest teach for the Houston Ballet Academy. She was also on faculty for Mitzi's School of Dance, featured on America's Got Talent. Wanting to be closer to family, Ms. Bullock accepted a position with Storling Dance Theater and the Director of Ballet at a local dance academy. As a company member she had the privilege to perform numerous principal and soloist roles. As the Director of Ballet she fostered the growth of a successful program including restaging The Nutcracker. Ms. Bullock then danced for Common Thread Contemporary's Artistic Director Jennifer Medina, who quickly became a mentor in dance artistry. The following summer, Ms. Bullock worked with Drew Jacoby, whose credits include Lines, Nederlands Dance Theater, and Complexions.
Raised as a classical ballet dancer, Kaylie embraces the tradition of ballet. Having been given the opportunity to work with many successful contemporary ballet and modern professionals of our time, she believes that today's ballet dancers have no choice but to be versatile. Her goal is to give her students an understanding of the dance forms and techniques, while creating a firm foundation in classical ballet. She considers her students' acceptance into dance programs across the country as some of her proudest achievements. She also coached the recipient of 2016 Miss Kansas Overall Talent award.
Permanent Adjunct Faculty and Artistic Associate
Instructor in Beginning, Intermediate and Advanced Ballet, Pointe/Variations, Private Coaching
Born in Paraguay and raised in Argentina, Fabiana Fadlala-Poulis has been teaching ballet for over 20 years. She received her training at Estudio Coreografico Bonnin, the Teatro Colon and received her Masters in Ballet Pedagogy from the School of the National Ballet of Cuba. She studied under Olga Ferri, Miguel Bonnin, Ileana Balmori, and Raul Candal. Fabiana danced professionally with the Teatro Municipal de Asuncion, Teatro General San Martin, Ballet Arlington, and Ballet Concerto. Fabiana has taught at the Margo Dean School of Ballet in the Dallas/Fort Worth area and Ballet Conservatory in Lewisville, TX where she also served as the assistant director of Lake Cities Ballet Theatre II. Her choreography for YAGP, “It’s a Good Day”, placed 2nd in the regionals and performed at the finals in New York City. She also served as the Outreach Coordinator for the Desert Youth Ballet Foundation, taught for the Arizona School of Classical Ballet, Tempe Dance Academy, and The Louisville Ballet. Additionally, she has served as the ballet mistress for the Louisville Ballet Youth Ensemble; Sacred Heart School for the Arts in Louisville, KY; Wynn Twins School of Dance in Kansas City, MO; and Peoria Ballet. She has been a sought out guest teacher throughout the United States and South America.
Youth Program and Business Development Consultant
Instructor in Beginning, Intermediate and Advanced Ballet
Carole Krohn, a central Illinois native, formerly of Peoria Ballet and long time Colorado resident, is thrilled return to the greater Peoria area. She spent many years studying, performing, and teaching classical ballet in Chicago and Colorado. In Colorado, Carole performed and received pedagogical training under Mrs. Julie Sneden Carlson, Artistic Director of Ballet Northwest, and performed several seasons with Steamboat Dance Theater. Highlighting her repertoire are roles as soloist, character, and corp de ballet in many classical works including The Firebird, Cinderella, Sleeping Beauty, Romeo and Juliet, Dracula, Rodeo and The Nutcracker, in addition to many contemporary and original works. As a dedicated student of classical ballet for over 40 years, Carole has received training at the Ruth Page Center for the Arts under the direction of Mr. Larry Long; Steamboat Springs Ballet under the Master Classes of Michael Vernon; Hubbard Street Dance Chicago; The Joffrey Ballet; Aspen-Santa Fe Ballet; Perry Mansfield Performing Arts Academy; Denver Dance Center; Vail International Festival of Dance; The Academy of Colorado Ballet; Dance Aspen; Purdue University; Colorado Mountain College; and the University of Illinois. Carole received a Bachelor of Science degree with Honors from Purdue University, Phi Beta Kappa, where she was a member of the Purdue Golduster Dance Team and a founding member of the Purdue Gymnastics Club. She received her Juris Doctor from the University of Illinois College of Law in 1989. In addition to being a sought after ballet instructor in both Colorado and Illinois, Carole has maintained an active law practice for over 25 years and has served as Guardian ad Litem for the State of Colorado, Office of the Child’s Legal Representative. Carole teaches all levels of ballet from the very youngest of students to adults and professionals. She is particularly interested in early grade ballet program and curriculum development as well as nurturing and guiding the youngest students in their first steps on stage to and to instill in them a life long appreciation for music and performing arts as part of early and middle childhood development.
Boys Ballet, Pas de duex, Afro-Caribbean, Ballet
Joshua began his early ballet training with Ballet Met on full scholarship under the watchful eye of Yoko Ichino and David Nixon. He continued with Ballet Met for eight years in the pre-professional program performing in the companies productions of "The Nutcracker", "Romeo and Juliet", "Cinderella", and "Giselle". In BalletMet's Student Showcase, Mr. Gullet was featured as Daniel in Alvin Aileys "Daniel". He spent his summers on full scholarship with many prestigious schools including Virginia School of the Arts, Pittsburg Ballet Theatre, and Chautauqua with North Carolina Dance Theatre. In 2002, Mr. Gullett was accepted into Pittsburg Ballet Theatre Graduate Program where he studied and trained under Artistic Director Terrance Orr and Ballet Mistress Marianna Tcherkassky. He enjoyed working with the company as well as performing in many of their productions including "The Nutcracker" and "A Midsummer Night's Dream". Mr. Gullett joined Peoria Ballet Company in 2004 dancing many soloist and principal roles such as Jonathan Harker in "Dracula", Snow King in "The Nutcracker", and the Principal Male in George Balanchine's "Valse Fantasie". Mr. Gullett has been a Guest Dancer with USA Ballet and has toured with the company to Chicago and Michigan. Mr. Gullett also served on the faculty at the Peoria Ballet Academy teaching the Boys ballet class and pas de duex class for pre- professional students.
Jennifer Reiter Hand
Instructor in Beginning Ballet-Advanced Ballet, Pointe, Improvisation
Following in her mother's footsteps, Ms. Reiter began dancing at the age of six at the Peoria Ballet. She danced in numerous productions of Nutcracker and held the role of Clara from 1984-1986. She received her Masters degree in dance from New York University's Tish school of Arts and her BFA in dance from the University of Illinois at Urbana Champaign. Both of her degrees are in dance and choreography. Ms. Reiter has taught and produced choreography for private studios, universities, summer intensives, and theater companies in the Midwest including: DanceArts in Champaign; Champaign Ballet Academy; Millikinn University in Decatur; and University of Illinois at Champaign/Urbana. Her work in the Northeast includes: D'Valda & Sirico in Fairfield CT; Longwood Performing Arts Academy in Kennett Square PA; and in New York City at Ballet Hispanico, Broadway Dance Center and Ballet Arts. As a teacher she specializes in ballet, pointe/variations, modern, improvisation, choreography, adult beginner dance, dance vocabulary, and movement for actors. Her students are presently performing in national tours, in ballet and modern dance companies, for Disney, and on Broadway. Ms. Reiter believes that to learn to dance well, dancers must find joy in the simple act of moving. To that end, she constructs an environment that encourages a sense of play, experimentation, community, and humor while working in an organized and respectful way not only towards everyone participating in the class, but also to the noble tradition of dance, a tradition she believes is beautiful and worthy of reverence. "Dance should never hurt the body or force it into feelings of strain or tightness. Instead, I believe dance can open the body and create a freedom from within that can be pleasurable for your emotional and spiritual self, as well as the physical."
Lyrical, Jazz, Musical Theater, Ballet
Ms. Buchko began her ballet training at the age of five at Peoria Ballet where she was first taught by Rebekah von Rathonyi. With Peoria Ballet, she danced in numerous Nutcrackers, the world premier of Wings, Cinderella, and Giselle. She attended Youth America Grand Prix twice and spent two summers at the American Ballet Theater summer intensives. Ms. Buchko has been an active participant in Peoria theater for years, performing roles such as Jenny in The Shape of Things, Rosie in Bye Bye Birdie, Madam Giry in the Phantom of the Opera, and Tantomile in Cats. After high school, she attended Millikin University as a musical theater major where she was selected to understudy and perform a piece with Thodos Dance Chicago. She was a member of the dance ensemble her sophomore year. Ms. Buchko transferred to Bradley University in January of 2014 where she is currently majoring in theater performance and English. She made her debut with Cornerstone Academy as Alice in Alice in Wonderland. Ms. Buchko gives all glory and thanks to God. She also feels much gratitude toward her family and friends for their love and support and deep appreciation for Ms. Rebekah and her continued inspiration and encouragement.
Growing up in a military home, Brette moved around her whole life. She started dancing at a very young age, but began to study ballet seriously under the direction of Mrs. Geiger after moving to Michigan at the age of 12. Her last two years of high school she moved to Philadelphia to study at The Rock School for Dance Education. Brette was then accepted to the Jacob's School of Music at Indiana Universtiy and got her Bachelor of Science in Ballet. Upon graduation, Brett received an apprenticeship with the Rochester City Ballet and was promoted to dancer in 2013. Throughout her ballet career she has had the privelege of performing in many ballet's including: soloist roles in Balanchine's Serenade, Western Symphony, Raymonda, Who Cares?, Principal roles in Agnes DeMille's Rodeo as the Ranchers daughter, Anthony Tudor's The Lilac Garden as Caroline, as well as Twyla Tharp's Noir. She has performed in Cornerstone Academy's Nutcracker as the Snow Queen and Sugarplum. She is very thankful for all the teachers, coaches, and family who have helped her achieve her goals as a dancer. She has been a Company Artist with Ballet 5:8 since 2014 and serves in a variety of roles at Ballet 5:8 in addition to dancing such as: Trainee Program Ballet Mistress, Ballet 5:8 Répétiteur, and Instructor at Ballet 5:8 School of the Arts. Brette also holds a RYT-200 certification in Yoga.
Toby Lewellen is very happy to be retuning for his sixth season with Ballet Arkansas. There he has performed in lead roles in George Balanchine‘s Who Cares?, Harrison McEldowney’s Group Therapy, Johnny Cash in Chris Stuart’s Under the Light’s, Val Caniparoli’s Lady of the Camellias Pas de Deux, Rerouting by Greg Sample, Memory Haus and Bolero by Kiyon Gaines, Mobile by Tomm Ruud, as well as being The Nutcracker Prince and Snow King in Ballet Arkansas’ The Nutcracker. He has performed with Ballet Arkansas at the St. Louis Spring to Dance Festival and Chop Shop Contemporary Dance Festival in Seattle, WA. Recently he has spent his summers on staff at the Rock School for Dance Education in Philadelphia as well as teaching at Ballet Arkansas Summer Intensives. Toby is originally from Peoria, Illinois where he began his serious dance training at the Peoria Ballet under the direction of Erich Yetter and Rebekah Von Rathonyi. He attended summer intensives on scholarship at Milwaukee Ballet, The Rock School, and Miami City Ballet. Toby attended Butler University as a dance major. There he performed in Anthony Tudor’s Dark Elegies, as the Nutcracker Prince in The Nutcracker, as the Lead Mazurka male in Swan Lake, as well as lead roles in various faculty works at Butler University. Toby performed as Mercutio in Central Illinois Ballet's production of Romeo and Juliet. Toby is also a Ballet and Jazz teacher at Shuffles and Ballet II in Little Rock.
All levels of Ballet, Jazz, and Tap
Timothy began dancing at the age of three in a small Cecchetti studio in southern Illinois. To continue his training, he became a trainee at The Big Muddy Dance Company in St. Louis, Missouri. While there, he trained under Paula Davis and performed in many contemporary works. He also had the opportunity at Big Muddy to learn Harrison McEldowney's orginal work Group Therapy. He was also able to train and guest at El Paso Conservatory of Dance. While at El Paso Conservatory of Dance, Timothy had the chance to study under Marta Katz, and Daymel Sanchez. He has Guested in many roles including the Snow King, Nutcracker/Nutcracker Prince, and Cavalier in The Nutcracker; the Knave of Hearts in Alice in Wonderland; and in the pas de trois in Swan Lake. Timothy was in Nashville Ballet's Second Company where he danced in a variety of Paul Vasterling's works such as Carnival of the Animals, Jump Frog, Clowns and Others, Peter Pan, and The Nutcracker. With Central Illinois Ballet, Timothy danced as Jonathan Harker in Dracula; Tapping Soldier, Nutcracker Prince, and Russian in The Nutcracker; Paris in Romeo and Juliet; and The Beast in Beauty and the Beast.